The girls are heading to E3 for their winning game proposals.

At E3 2018, Nintendo offers a first look at Super Mario Party, due out Oct. 5, 2018.

A beta version of Beyond Good & Evil 2 is due for release towards the end of 2019, creator Michel Ancel has said.
Ubisoft Montpellier's ambitious, currently-half-built open world multiplayer space opera thing got another showing at E3 this year - where we were treated to around 30 minutes of gameplay behind closed doors.
We'll have more on what we saw shortly, but as impressive as BG&E2's tech currently is - and as lovely as that CGI trailer reintroducing BG&E1's Pey'J and Jade was - it was clear the game still had a long way to go.

The Dead or Alive series is infamous for the sexualisation of its female characters. That, and its breast physics.
Dead or Alive 6, announced during E3, marks a shift in the fighting game series' approach, with toned down female sexualisation and, Japanese developer Koei Tecmo said, more natural breast movement.
The concept of the game is "intense fighting entertainment", producer and game director Yohei Shimbori told Eurogamer. It's a more realistic look inspired by mixed martial arts.

PlayStation 4 exclusive Ghost of Tshushima drew comments last night during PlayStation's E3 conference from fans wishing that the Japan-set game would feature a Japanese language option. Today, in a press demo of the game attended by Eurogamer, developer Sucker Punch confirmed just that.
The details are still being worked upon, but a Japanese-language option with English subtitles was mentioned. The demo we saw consisted of the gameplay section shown during PlayStation's press conference, but now in Japanese. Plans are afoot to localise the full game, Sucker Punch said.
Featuring a keen eye for detail (Sucker Punch mentioned sending an audio scout to Japan to record, among other things, native birdsong), Ghost of Tshushima is intended as a "time machine" for players wanting an accurate representation of the location and era. A Japanese language soundtrack would certainly help with this.

Rage 2, id's collaboration with Avalanche Software, is going to be a strictly single-player game, with nothing by way of multiplayer diversions.
It marks a slight departure from the 2010 original, which offered co-op and vehicle-based multiplayer, though it's in keeping with Avalanche's previous track record, in which the developer has always wanted to play to its single-player strengths.
"We're just focussed on the best open world single player game that we can make," Rage 2 designer Magnus Nedfors told Eurogamer at a pre-E3 event in Avalanche's Stockholm studio. "I personally really believe you can make single player games really fantastic, so that's what we're focussed on."

There are a number of reasons why Sony's PlayStation showcase at this year's E3 was a little odd - and to be fair to the electronics giant, it did warn us. A few weeks ago, Sony issued word that it would be taking a new approach, avoiding major first-party announcements and focusing on four games that had already broken cover at least a year previously: Spider-Man, The Last of Us Part 2, Death Stranding and Ghosts of Tsushima. (Days Gone, star of the show two years ago, seems to have been thrown under a bus - and it's .)
This was a surprisingly blunt bit of expectation management, and the truth behind it is quite simple. Sony's marketing enthusiasm has long outpaced its actual first-party game development, and having announced too much too soon over the course of the last five years, it needed to take a year on the benches to let the studios catch up. There are simply no unannounced PS4 exclusives left in the tank. (Or if there are, Sony has in its wisdom decided it is too early, or E3 is not the right venue for any of them.)
Nor was it necessarily a problem. Armed with the knowledge that we would not be surprised, we could relax and enjoy extensive demos of four strikingly beautiful-looking games. Well, three. It's good that Spider-Man is only a few months from release, because this antic, joyful superhero game from Insomniac begs to be played and didn't really need another overly busy and garish demo, stuffed with characters and complicated peril, to sell us on it. It was an odd choice for the closer given the majesty on display elsewhere.

Our E3 Bulletins run every day this week. .
E3 Tuesday is the point at which the dust starts to settle and we can start discerning the key trends, which this year appear to be terrible queue management, not bothering to pretend that there aren't new consoles round the corner and releasing games on February 22nd 2019, a date which has appeared on so many announcements as to suggest the development of a strange cult among retail marketers.
There were some great announcements on Monday but you simply can't have E3 without ennui, and Square served up a generous quantity to start the second (fourth) day, with a that confirmed two new games, neither of which it offered any details on, some trailers we'd already seen in the Microsoft conference and a game that has already been on sale in Japan for several months. Babylon's Fall is notable for being developed by Platinum, which had an interesting-looking game , and The Quiet Man is notable for being developed by Human Head, which , leading us to wonder if an agressively low-key E3 presentation was part of the contract to affirm things will be different this time.

BioWare's ambitious Anthem was the highlight of EA's E3 2018 press conference - although that was hardly a tough bar to clear. We gained full of jetpacking players in mechs, angry monsters and mysterious god energy - but some BioWare fans watching felt like the gameplay shown did not align with their own, personal expectations of what a BioWare game should be.
Here at E3 itself, the mission shown during EA's press conference is playable in full - and with better context and setup, including the introduction of some prominent NPCs heard during the demo via voiceover. It's a much better introduction to the game - but sadly one which the audience back home isn't able to experience themselves.
After the dust had settled on Anthem's showing, and after , I was able to sit down for a half hour chat with lead producer Mike Gamble, previously producer on the Mass Effect series, to speak more deeply about the game, discuss what was happening with BioWare's other franchises, and find out how this week's showing of Anthem had gone for him. Our full chat lies below.

Sony has revealed, during its PlayStation E3 showcase, that God of War will be getting a New Game+ mode in a future update - as apparently requested by many fans.
"Whether you've defeated all the Valkyries, conquered the daunting combat trials of Niflheim and Muspelheim, or simply accomplished your journey with Kratos and Atreus," Sony's explains, "there is one very strong reason to stay in the realm of God of War - New Game+".
As you'd expect, New Game+ will enable you to start a new game of God of War with all of the armour and upgrades you acquired on your previous play-through in tact - and that includes pommels, talismans, "and more".